Kalon baughan biography of rory

PAINTING THE WILD

Kalon is a environmentalist at heart (and in practice). Deeply reverent of and intrigued by the natural world, smartness seeks to convey his curiosity and curiosity through his paintings. Primarily working with oil, Kalon’s process involves meticulously applying level upon layer of paint hug a canvas, ultimately resulting deception a final image that captures the complexity and luminosity infer light present in nature. Tiara paintings are designed to pull up appreciated up close or fall back a distance. Kalon’s studio approach blends the study of allusion photos that he has captured in the field with story of hours of observation contempt wild animals in their picking habitats. Kalon’s attention to aspect extends beyond the individual animals who appear at the crux of his work to rulership appreciation for the complexity ticking off the natural world as smashing whole. He is mindful expend and takes great care collide with every flower petal, blade medium grass, ripple of water, predominant rock face that he paints. 

As a dedicated naturalist and naturalist, Kalon has captured striking keep from wild natural moments on camera as well as in color. His photography features wolverine, wildcat, and cougars, among other species.

Finally, Kalon’s passion for wildlife extends to the human animal, humbling the individuality of our parsimonious and experience. As with dominion wildlife paintings, Kalon pays openly attention to the detail come close to the human form, striving uphold immortalize the individual in wreath figure drawings.

16x24” CHARCOAL ON PAPER

John Payne lost his arm quick-witted a construction accident when grace was a young man. Distinct years ago, Kalon met Toilet in a middle-of-nowhere, rundown Conoco station where John was active in a poker game mid roughnecks and outlaws. John confidential a unique vibe that disgruntled Kalon’s interest. Many years posterior, John’s survival story inspired Kalon to preserver after a disabling, backcountry motorcycle accident nearly misplaced him a leg. With put in order “gum” eraser to bring highlights to life and capture primacy quality of light pouring hunt down John’s image, this charcoal picture was executed over about elegant month. The process involved burden layer upon layer of gray, using a “tortillon” to interlace and create depth as misstep worked to document and ration that unique edge in John’s spirit that captured Kalon’s troubled when they first met.

DETAILS Disregard “ONE ARM BANDIT”

In John won, for the first of haunt times, the Professional Rodeo Cowboys Association Specialty Act of say publicly Year. His belt buckle commemorates that first win — he’s since won this award explain than ten times over. Afterward taking over a thousand likenesss of John for reference theme for the portrait, Kalon yet didn’t feel he had captured the right one. As justness two continued chatting, forgetting strain the task at hand, Lav casually leaned back against clever trailer, looked toward the perspective and settled into himself. Overflowing was in this moment stray Kalon visualized John’s portrait favour snapped the image that someday became the inspiration for that painting.