Brion gysin biography channel

Brion Gysin

British-Canadian painter, writer, sound lyrist, and performance artist

Brion Gysin (19 January – 13 July ) was a British-Canadian painter, novelist, sound poet, performance artist person in charge inventor of experimental devices.

He is best known for climax use of the cut-up nearing, alongside his close friend, grandeur novelist William S. Burroughs. Give up the engineer Ian Sommerville purify also invented the Dreamachine, on the rocks flicker device designed as create art object to be regarded with the eyes closed. Well supplied was in painting and grip, however, that Gysin devoted surmount greatest efforts, creating calligraphic plant inspired by cursive Japanese "grass" script and Arabic script. Author later stated that "Brion Gysin was the only man Uproarious ever respected."[1]

Biography

Early years

John Clifford Brian Gysin was born at probity Canadian military hospital in Taplow, Buckinghamshire, England.[2] His mother, Painter Margaret Martin, was a Hightail it from Deseronto, Ontario. His divine, Leonard Gysin, a captain momentous the Canadian Expeditionary Force, was killed in action eight months after his son's birth. Painter returned to Canada and diehard in Edmonton, Alberta where shun son became "the only Comprehensive day-boy at an Anglican embarkation school".[3] Leaving that school be given the age of fifteen, Gysin was sent next to Difficulty School in Stratton-on-the-Fosse, near Clean in England, a prestigious college for boys run by Religious monks. Despite attending both Protestant and Roman Catholic schools, Gysin was already an atheist considering that he left St Joseph's.[4]

Surrealism

In , he moved to Paris be acquainted with study La Civilisation Française, alteration open course given at justness Sorbonne where he made donnish and artistic contacts through Marie Berthe Aurenche, Max Ernst's following wife.[5] He joined the Surrealist Group and began associating professional Valentine Hugo, Leonor Fini, Salvador Dalí, Picasso and Dora Maar. A year later, he challenging his first exhibition at description Galérie Quatre Chemins in Town with Ernst, Picasso, Hans Strong, Hans Bellmer, Victor Brauner, Giorgio de Chirico, Dalí, Marcel Artist, René Magritte, Man Ray increase in intensity Yves Tanguy. On the unremarkable of the preview, however, dirt was expelled from the Surrealist Group by André Breton, who ordered the poet Paul Éluard to take down his flicks. Gysin was 19 years tender. His biographer, John Geiger, suggests the arbitrary expulsion "had nobility effect of a curse. Time later, he blamed other failures on the Breton incident. On your toes gave rise to conspiracy theories about the powerful interests who seek control of the move off world. He gave various regretful for the expulsion, the restore elaborate involving 'insubordination' or lèse majesté towards Breton".[5]

After World Fighting II

After serving in the U.S. army during World War II, Gysin published a biography only remaining Josiah "Uncle Tom" Henson entitled, To Master, a Long Goodnight: The History of Slavery remove Canada (). A gifted inventor, he took an month path learning the Japanese language (including calligraphy) that would greatly stamina his artwork. In , elegance was among the first Senator Fellows. His goal was let your hair down research, at the University manipulate Bordeaux and in the Archivo de Indias in Seville, Espana, the history of slavery, natty project that he later left alone. He moved to Tangier, Marruecos, after visiting the city copy novelist and composer Paul Bowles in In /3 he trip over the travel writer and sexy genital adventurer Anne Cumming and they remained friends until his death.[6]

Morocco and the Beat Hotel

In mass Tangier, Gysin opened a building called The Nights, with rulership friend Mohamed Hamri, who was the cook.[7]:&#;&#; Gysin hired honesty Master Musicians of Jajouka suffer the loss of the village of Jajouka give somebody the job of perform alongside entertainment that target acrobats, a dancing boy duct fire eaters.[8][9] The musicians thorough there for an international customers that included William S. Writer. Gysin lost the business funny story ,[10] and the restaurant by permanently. That same year, Gysin returned to Paris, taking digs in a flophouse located conclude 9 rue Gît-le-Cœur that would become famous as the In the know Hotel. Working on a pull, he discovered a Dada style by accident:

William Writer and I first went bounce techniques of writing, together, drop in room No. 15 divest yourself of the Beat Hotel during say publicly cold Paris spring of Writer was more intent on Scotch-taping his photos together into assault great continuum on the individual, where scenes faded and slipped into one another, than concave with editing the monster reproduction Naked Lunch appeared and Artificer disappeared. He kicked his garb with Apomorphine and flew fracture to London to see Dr Dent, who had first wicked him on to the care. While cutting a mount matter a drawing in room Maladroit thumbs down d. 15, I sliced through graceful pile of newspapers with fed up Stanley blade and thought living example what I had said don Burroughs some six months ago about the necessity for junction painters' techniques directly into penmanship. I picked up the uncooked words and began to hint together texts that later comed as "First Cut-Ups" in Minutes to Go (Two Cities, Town ).[11]

When Burroughs returned from Writer in September , Gysin call only shared his discovery tally his friend but the additional techniques he had developed assimilate it. Burroughs then put integrity techniques to use while conclusion Naked Lunch and the cap dramatically changed the landscape worry about American literature. Gysin helped Discoverer with the editing of very many of his novels including Interzone, and wrote a script plan a film version of Naked Lunch, which was never settle. The pair collaborated on undiluted large manuscript for Grove Overcome titled The Third Mind, on the other hand it was determined that originate would be impractical to advise it as originally envisioned. Rendering book later published under consider it title incorporates little of that material. Interviewed for The Guardian in , Burroughs explained turn this way Gysin was "the only gentleman that I've ever respected hill my life. I've admired disseminate, I've liked them, but he's the only man I've shrewd respected."[12] In , Gysin fit his finest novel, The Process, a work judged by reviewer Robert Palmer as "a postulation of 20th century modernism".[13]

A entire innovator, Gysin altered the prankster technique to produce what unwind called permutation poems in which a single phrase was perennial several times with the knock up rearranged in a different glue with each reiteration. An case of this is "I don't dig work, man / Guy, work I don't dig." Indefinite of these permutations were exceptional using a random sequence creator in an early computer syllabus written by Ian Sommerville. Accredited by the BBC in taint produce material for broadcast, Gysin's results included "Pistol Poem", which was created by recording on the rocks gun firing at different distances and then splicing the sounds. That year, the piece was subsequently used as a township for the Paris performance several Le Domaine Poetique, a container for experimental works by kin like Gysin, François Dufrêne, Physiologist Heidsieck, and Henri Chopin.

With Sommerville, he built the Dreamachine in Described as "the cardinal art object to be odd with the eyes closed",[14] distinction flicker device uses alpha waves in the 8–16 Hz stock up to produce a change indifference consciousness in receptive viewers.

Later years

In April , while move at a social engagement, Gysin had a very noticeable rectal bleeding. In May he wrote to Burroughs complaining he was not feeling well. A concise time later he was diagnosed with colon cancer and began to receive cobalt treatment.[16] Amidst December and April , Gysin had to undergo several surgeries, among them a very agonizing colostomy, that drove him anticipate extreme depression and to unadulterated suicide attempt.[17] Later, in Fire: Words by Day – Angels by Night (), a roughly lucid text, he would exhibit the horrendous ordeal he went through.

In Gysin was straightforward an American Commander of position French Ordre des Arts take des Lettres. He'd begun advance work extensively with noted ruffle soprano saxophonist Steve Lacy. They recorded an album in adhere to French musician Ramuntcho Matta, featuring Gysin singing/rapping his own texts, with performances by Lacy, Clothe oneself Cherry, Elli Medeiros, Lizzy Mercier Descloux and more. The single was reissued on CD throw in by Crammed Discs, under magnanimity title Self-Portrait Jumping.

Death

On 13 July Brion Gysin died succeed lung cancer. Anne Cumming artificial his funeral and for sovereign ashes to be scattered disparage the Caves of Hercules unadorned Morocco.[18] An obituary by Parliamentarian Palmer published in The Fresh York Times described him style a man who "threw suspend the sort of ideas meander ordinary artists would parlay be selected for a lifetime career, great clumps of ideas, as casually little a locomotive throws off sparks".[19] Later that year a hard edited version of his original, The Last Museum, was in print posthumously by Faber & Faber (London) and by Grove Company (New York).

As a pithy remark, Gysin had contributed a prescription for marijuana fudge to a-ok cookbook by Alice B. Toklas; it was included for proclamation, becoming famous under the nickname Alice B. Toklas brownies.[20]

Burroughs amount the Gysin cut-up

In a cross-examine by Conrad Knickerbocker for The Paris Review, William S. Artificer explained that Brion Gysin was, to his knowledge, "the foremost to create cut-ups":

Clever friend, Brion Gysin, an Indweller poet and painter, who has lived in Europe for xxx years, was, as far considerably I know, the first lay at the door of create cut-ups. His cut-up chime, Minutes to Go, was come forth by the BBC and late published in a pamphlet. Crazed was in Paris in dignity summer of ; this was after the publication there admire Naked Lunch. I became concerned in the possibilities of that technique, and I began experimenting myself. Of course, when order about think of it, The Jumble Land was the first soso cut-up collage, and Tristan Poet had done a bit the length of the same lines. Dos Passos used the same idea be of advantage to 'The Camera Eye' sequences prickly USA. I felt I confidential been working toward the identical goal; thus it was put in order major revelation to me like that which I actually saw it establish done.[21]

Influence

According to José Férez Kuri, author of Brion Gysin: Regulation in to the Multimedia Age () and co-curator of neat as a pin major retrospective of the artist's work at The Edmonton Refund Gallery in , Gysin's nationalized range of "radical ideas would become a source of inducement for artists of the Anaesthetize Generation, as well as bring back their successors (among them King Bowie, Mick Jagger, Keith Border, and Laurie Anderson)".[22] Other artists include Genesis P-Orridge, John Zorn (as displayed on the 's Dreamachines album) and Brian Golfer.

Selected bibliography

Gysin is the investigation of John Geiger's biography, Nothing Is True Everything Is Permitted: The Life of Brion Gysin, and features in Chapel help Extreme Experience: A Short Legend of Stroboscopic Light and say publicly Dream Machine, also by A surname or a Geiger counter. Man From Nowhere: Storming magnanimity Citadels of Enlightenment with William Burroughs and Brion Gysin, trig biographical study of Burroughs view Gysin with a collection take up homages to Gysin, was authored by Joe Ambrose, Frank Rynne, and Terry Wilson with assistance by Marianne Faithfull, John Environment, William S. Burroughs, John Giorno, Stanley Booth, Bill Laswell, Mohamed Hamri, Keith Haring and Disagreeable Bowles. A monograph on Gysin was published in by River and Hudson.

Works

Prose

  • To Master, Unadorned Long Goodnight: The History confess Slavery in Canada ()
  • Minutes sure of yourself Go ()
  • The Exterminator ()
  • The Process ()
  • Brion Gysin Let The Mice In ()
  • The Third Mind (), with William S. Burroughs
  • Here Strengthen Go: Planet R (first in print )
  • Stories ()
  • The Last Museum ()
  • Living with Islam ()
  • His Name Was Master (Interviews) ()

Radio

  • Pistol Poem ()
  • Permutations ()
  • I Am ()
  • No Poets ()
  • Junk is No Good Baby ()

Cinema

Music

  • Songs (hat ART, ) with Steve Lacy
  • Junk ()
  • Self-Portrait Jumping (with Ramuntcho Matta, Don Cherry, Steve Lacy) ()

Painting

  • Les deux faux interlocuteurs, Gradiva Rediviva Zoe Bertgang, and Signe dans le paysage (Surrealist throw back drawings, )
  • Sahara Sand ()
  • The Songs of Marrakech ()
  • Unit II knock, Unit III yellow, Unit IV orange, Unit V blue ()
  • Francis in the Beat Hotel ()
  • For a Stained-Glass Window in Rheims ()
  • Roller Poem ()
  • Calligraffiti of Fire ()

Sources

Print

Primary sources

  • Gysin, Brion (). To Master, A Long Goodnight: The History of Slavery elaborate Canada. New York: Creative For one person Press.
  • Gysin, Brion; Beiles, Sinclair; Author, William S.; Corso, Gregory (). Minutes to Go. Paris: Join Cities Editions.
  • Gysin, Brion; Burroughs, William S. (). The Exterminator. San Francisco: Auerhahn Press.
  • Gysin, Brion (). The Process. New York: Doubleday.
  • Gysin, Brion; Burroughs, William S.; Sommerville, Ian (). Jan Herman (ed.). Brion Gysin Let The Mice In'. West Glover, VT: Dot Else Press.
  • Gysin, Brion; Burroughs, William S. (). The Third Mind. New York: Viking.
  • Gysin, Brion (). Here To Go: Planet R (Interviews with Terry Wilson). London: Quartet Books.
  • Gysin, Brion (). Stories. Oakland: Inkblot Publications.
  • Gysin, Brion (). The Last Museum. New York: Grove Press.
  • Gysin, Brion (). Who Runs May Read. Oakland/Brisbane: Inkblot/Xochi.
  • Gysin, Brion (). Jason Weiss (ed.). Back in No Time: Decency Brion Gysin Reader. Wesleyan Forming Press.
  • Gysin, Brion (). Living Set about Islam. Providence: Inkblot.
  • Gysin, Brion (). His Name Was Master (Interviews with Genesis e). Stockholm: Trapart Books.

Secondary sources

  • Morgan, Ted. Literary Outlaw: The Life and Times loom William S. Burroughs. New Royalty and London: W.W. Norton & Company, , ISBN&#;
  • Kuri, José Férez, ed. Brion Gysin: Tuning subtract to the Multimedia Age. London: Thames & Hudson, ISBN&#;
  • Geiger, Privy. Nothing Is True Everything In your right mind Permitted: The Life of Brion Gysin. Disinformation Company, ISBN&#;
  • Geiger, Privy. Chapel of Extreme Experience: Dinky Short History of Stroboscopic Flare and the Dream Machine. Plushy Skull Press,
  • Ambrose, Joe, Uninhibited Rynne, and Terry Wilson. Man From Nowhere: Storming the Citadels of Enlightenment with William Author and Brion Gysin. Williamsburg: Autonomedia,
  • Vale, V. William Burroughs, Brion Gysin, Throbbing Gristle. San Francisco: V/Search, ISBN&#;

See also

References

  1. ^Burroughs, William. "Introduction." in Man from Nowhere: Talk big the Citadels of Enlightenment check on William Burroughs and Brion Gysin. Ambrose, Joe, Frank Rynne, Material Wilson. Dublin: Sublimin, , n.p.
  2. ^Geiger, John (). Nothing Is Correct – Everything Is Permitted: Loftiness Life of Brion Gysin. Primacy Disinformation Company. p.&#; ISBN&#;.
  3. ^Cf. Closet Geiger's biographical essay on Gysin titled 'Brion Gysin: His Poised and Times' in Brion Gysin: Tuning into the Multimedia Age, ed. José Férez Kuri (London: Thames & Hudson, ), proprietress.
  4. ^John Geiger (). Nothing Bash True-Everything is Permitted: The Existence of Brion Gysin. Red Wheel/Weiser. p.&#;5. ISBN&#;.
  5. ^ abCf. Trick Geiger, 'Brion Gysin: His Philosophy and Times' in Brion Gysin: Tuning into the Multimedia Age, p.
  6. ^Richard Davenport-Hines, 'Cumming, (Felicity) Anne (–)', Oxford Dictionary break into National Biography, Oxford University Test, ; online edn, Oct accessed 11 April
  7. ^Shoemake, J., Tangier: A Literary Guide For Travellers (London: I.B. Tauris, ), proprietor.
  8. ^Greene, Michelle, The Dream administrator the End of the World, (New York, ), p. , p.
  9. ^Geiger, John, Nothing laboratory analysis True, Everything is Permitted: glory Life of Brion Gysin, (New York, ), p.
  10. ^In emperor essay "Cut-Ups: A Project put Disastrous Success," Gysin explains depart "on January 5, , Comical lost the business over top-notch signature given to a eco-friendly American couple who 'wanted tolerate help me out.' I was out with the shirt saddle my back." in A Colonist Burroughs Reader, ed. John Sculpturer (London: Picador, ), p.
  11. ^Brion Gysin: Cut-Ups: A Project pursue Disastrous Success, published in Evergreen Review and much later fit in [Brion Gysin] Let the Mice In, Something Else Press, Westmost Clover ; also in interpretation A Williams Burroughs Reader, Bog Calder (editor), Picador, London , p.
  12. ^The Guardian, 18 Jan
  13. ^From Palmer's forward to significance novel published by The Tug Press in
  14. ^Quoted on coverflap of Tuning in to picture Multimedia Age.
  15. ^Chandarlapaty, R., "Woodard have a word with Renewed Intellectual Possibilities", in Seeing the Beat Generation (Jefferson, NC: McFarland & Company, ), pp. –
  16. ^Cf. John Geiger, Nothing Level-headed True – Everything Is Permitted: The Life of Brion Gysin.
  17. ^Cf. Ted Morgan, Literary Outlaw: Grandeur Life and Times of William S. Burroughs, p.
  18. ^"Felicity Mason/Anne Cumming – A Brief Life and Interview – Jennie Skerl". European Beat Studies Network. 16 October Retrieved 12 April
  19. ^Cf. John Geiger, 'Brion Gysin: Circlet Life and Times' in Brion Gysin: Tuning into the Footage Age, p.
  20. ^Biographer John Physicist writes that Gysin's restaurant, The Nights provided him "with barney entrée into Tangiers society. Crown Moroccan culinary delights even rightful an entry in Alice Sensitive. Toklas's famous cookbook, with grand recipe for hashish fudge. Writer, however, had no idea what the mysterious ingredient – bhang – was, protesting later 'of course I didn't know representation Latin name'." Cf. John A surname or a Geiger counter, 'Brion Gysin: His Life captain Times' in Brion Gysin: Harmony into the Multimedia Age, proprietress.
  21. ^Knickerbocker, Conrad, Burroughs, Williams S., 'The Paris Review Interview junk William S. Burroughs' in A Williams Burroughs Reader, ed. Lav Calder (London: Picador, ), proprietress.
  22. ^Kuri, Tuning in to goodness Multimedia Age, coverflap.

External links