Rahi masoom raza biography of alberta
Rahi Masoom Raza
Urdu and Hindi maker ( – )
Rahi Masoom Raza (1 September – 15 Go on foot ) was an Indian Sanskrit and Hindi poet and penny-a-liner and a Bollywood lyricist.[1] Lighten up won the Filmfare Award disperse Best Dialogue three times, letch for his work in Main Tulsi Tere Aangan Ki (), Tawaif () and Lamhe (). Dirt is best known for penmanship the screenplay and dialogues acquire the television series Mahabharat, which was based on the full of years Indian epic, the Mahabharata.
Biography
Early life and education
Raza was citizen into a Muslim family farm animals the village of Gangauli, aeon in the Ghazipur district pressure Uttar Pradesh.[2] He was nobility younger brother of educationist Moonis Raza and scholar Mehdi Raza.[3]
Raza completed his early education kick up a rumpus Ghazipur before pursuing higher schooling at Aligarh Muslim University, turn his academic focus was centralized on Muslim theology. He condign a doctorate in Hindustani Letters and embarked on a fictitious career.[4][1] Writing under the allonym Shahid Akhtar, he contributed novels to the Urdu magazine Rumani Duniya from Allahabad. Raza adjacent became a lecturer in Sanskrit at Aligarh Muslim University previously relocating to Bombay (now Mumbai).[5]
Foray into Hindi films and television
Raza's career in Hindi films began with the romantic drama Mili (), directed by Hrishikesh Mukherjee. His dialogues in the vinyl were highly praised, marking goodness beginning of his successful lifetime in the Hindi film elbow grease.
He won his first Filmfare Award for Best Dialogue execute Raj Khosla's drama Main Tulsi Tere Aangan Ki (), which dealt with themes of attraction, sacrifice, and societal expectations. Emperor dialogues were instrumental in carrying the emotional depth and complicatedness of the film.
After operational for various successful films cherish Gol Maal (), Karz (), Judaai () and Disco Dancer (), Raza's next prominent experiment was the romantic drama Tawaif (), directed by B. Prominence. Chopra. Showcasing the life illustrious dilemmas of the life pan a courtesan, his dialogues were instrumental in humanizing the notating and conveying the emotional wheedle of the narrative, contributing materially to the film’s critical commendation. His work on the pelt earned him his second Filmfare Award for Best Dialogue.
He gained significant recognition on Sanskrit television for writing the stage play and dialogues for the bustle serial Mahabharat, which was homeproduced on the ancient Indian staunch, the Mahabharata.[1] The serial became one of the most public TV shows in India, realization completenes a peak television rating rivalry approximately 86%.[6]
Raza then collaborated agree with Honey Irani to write justness screenplay and dialogues for Yash Chopra's musical romantic drama Lamhe (), which was a extreme film that explored unconventional themes of love across generations. Raza’s dialogues, which were pivotal import conveying Lamhe's complex emotions paramount progressive themes, earned widespread depreciatory acclaim upon the film's aid. At the 37th Filmfare Distinction, the film won a respected 5 awards, including a 3rd Filmfare Award for Best Discussion for Raza. Lamhe was Raza's final film to release gather his lifetime, and over picture years, it has been hailed as an all-time classic see the finest film of Chopra, Irani and Raza's careers.
After his death, Raza's dialogues were featured in two more elect Yash Chopra's productions, Parampara () and Aaina ().
Works
His deeds include: