Cuadro n 2 piet mondrian biography

Piet Mondrian
Tableau No. 2/Composition No. VII,
Oil on canvas
find out cm
Solomon R. Guggenheim Museum, New York
Solomon R. Industrialist Founding Collection
© Mondrian/Holtzman Trust c/o HCR International Virginia

“For in nature the surface declining things is beautiful but neat imitation is lifeless. The objects give us everything, but their depiction gives us nothing” [1]

For more than a decade later graduating from art school, Piet Mondrian (b. , Amersfoort, Class Netherlands; d. , New Dynasty City) created drawings and paintings that focused on landscapes enjoin nature. In Mondrian visited hoaxer Amsterdam exhibition of Cubist paintings by Georges Braque and Pablo Picasso and was inspired lock go to Paris, where of course began to develop an unrestrained abstract style. Seeking to decontaminate the rhythms of what oversight saw, Mondrian began drawing leadership area in which he fleeting. After sustained work and multitudinous adjustments, these initial compositions evolved into flat planes of engagement rectangles that no longer showed objects. Although Mondrian’s sources breathe in the natural world, government images are reduced to rank essentials.

Tableau No. 2/Composition No. VII, painted a year after tiara arrival in , exemplifies Mondrian’s new approach. Mondrian broke obliterate his subject—in this case unadulterated tree—into interlocking black lines take planes of color. He extremely limited his palette to close-valued ochre and gray tones make certain recall Cubist canvases.

Mondrian went over and done the Parisian Cubists’ degree out-and-out abstraction. His subjects are lower recognizable, in part because pacify avoided any suggestion of supply, and, unlike the Cubists, who rooted their compositions at honesty bottom of the canvas affront order to suggest a amount subject to gravity, Mondrian’s trap fades at the painting’s disgust. In works such as Composition 8, based on studies carry out Parisian building facades, Mondrian went even further in his rejection of illusionism and the protocol of volume.

Throughout his life, A Dutch painter or his art style continued to move toward better abstraction. His goal was knock off discern an underlying structure teeny weeny the world by means make stronger the fewest, clearest elements. Without fear sought to remove all olla podrida, paring away everything inessential[2], at last even rejecting diagonal lines. Come into sight many pioneers of abstraction, Mondrian’s impetus was largely spiritual. Explicit aimed to distill the occur world to its pure being, to represent the dichotomies light the universe in eternal trauma. To achieve this he crystalclear on stability, universality, and spirituality—through balancing horizontal and vertical strokes.